史迁风神与六一风神  

Sima Qian’s demeanour and Ouyang Xiu’s demeanour

作　　者：马茂军[1] 唐忠明 MA Maojun;TANG Zhongming(Department of Literature,South China Normal University,Guangzhou 511400,China)

机构地区：[1]华南师范大学文学院,广东广州511400

出　　处：《浙江师范大学学报（社会科学版）》2022年第4期23-30,共8页Journal of Zhejiang Normal University(Social Sciences)

基　　金：国家社会科学基金重大项目“历代古文选本整理及研究”(17ZDA247);国家社会科学基金项目“宋代文话与宋代散文文体学研究”(12BZW034)。

摘　　要：作为宋韵之一的六一风神,其独特之处在于,茅坤预设了汉代的史迁风神,而六一风神来源于史迁风神。风神来源于明代小说关注人物形象批评的传神论,而六一风神同时具有宋代文化特质的儒者风神、宋调、台阁体、人情说的特点。风神论之魏晋风神特有的悲剧精神与生命意识也融入了六一风神之中,从而铸造了六一风神丰富复杂的绝世品格,也形成了汉宋风神的不同内涵。This paper holds that Ouyang Xiu’s demeanor,as one of the rhymes of the Song dynasty,is unique in that Mao Kun proposed Sima Qian’s demeanor of the Han dynasty,and Ouyang Xiu’s demeanor came from Sima Qian’s demeanor.The concept“demeanor”originated from the spirit resemblance theory of novel criticism in the Ming dynasty.Ouyang Xiu’s demeanor has the characteristics of the Confucian demeanor of Song culture,Song Style,Secretariat Style,and Theory of Human Feelings.The tragic spirit and life consciousness of the demeanor theory of the Wei and Jin dynasties were also integrated into the Ouyang Xiu’s demeanor,which casts its rich and complex character,resulting in the different meanings between the Han dynasty demeanor and the Song dynasty demeanor.

关 键 词：史迁风神 魏晋风度 六一风神 传神论 

分 类 号：G122[文化科学] I207.6[文学—中国文学]