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作 者:王晓茹[1] 朱远 Wang Xiaoru;Zhu Yuan(Fujian Normal University,Fuzhou 350117,China;Eternal University of the Philippines,Manila 0900,Philippines)
机构地区:[1]福建师范大学,福建福州350117 [2]菲律宾永恒大学,菲律宾马尼拉0900
出 处:《黑河学院学报》2022年第6期150-152,共3页Journal of Heihe University
摘 要:唐代乐舞是我国古代乐舞史上的极致,《霓裳羽衣》乐舞流传广远。《霓裳羽衣》乐舞不仅意境优美,具有极高的艺术价值,且在名称、立意等方面也极具美感。《霓裳羽衣》自唐初至唐末的嬗变特点是恢弘大气到灵活灵动平实,并进而趋于平淡恬静、庄重的极致,后世舞者不断改编,融入不同舞蹈之中,并流传,其艺术形式影响深远。The music and dance in the Tang dynasty is one of the most important works in the history of music and dance in ancient China.White Feathers Garment not only has a beautiful artistic conception and high artistic value,but also has a great sense of beauty in terms of its name and conception.From the beginning to the end of the Tang dynasty,the evolution of White Feathers Garment is characterized by being magnifi cent to being fl exible and smooth,and then to being plain,quiet and solemn.Dancers of later generations continue to adapt it,integrate it into diff erent dances and spread it,which makes its artistic form have far-reaching infl uence.
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