“拆洗王介甫”:王安石形象传播与刻板化略论  

“Unweave”and“Wash”Wang Jiefu:On Wang Anshi’s Image Communication and Stereotyping

作　　者：冯伟 Feng Wei

机构地区：[1]辽宁大学文学院,辽宁沈阳110036

出　　处：《中原文化研究》2022年第4期123-128,共6页The Central Plains Culture Research

摘　　要：王安石形象在宋、元、明三代的传播过程中,发生了两次关键转变,对其刻板化演进有重要影响。其一,经过两宋文人笔记的催生,该形象在精英文人语境内初步定型,继而分别上行至元代史传文学,下移至民间俗文学,实现符号学意义上的双向分流;其二,至于明代,下层文人创作的拟话本在一定程度上消解了元代俗文学中王安石形象的民间特征,体现出文人个体意识与市民集体意识的合流。从中不难窥见王安石形象跨文体、跨语境的传播态势,及其在不同文本书写者、不同话语阶层审美品格及心理机制等因素影响下的刻板化发展进程。The image of Wang Anshi underwent two critical transformations during his communication in the Song,Yuan and Ming Dynasties.These transformations have an important influence on his stereotyping.On the one hand,through the literati’s creation and continuation in the Song Dynasty,his image has taken shape in the context of elite literati,on this basis,his image ranged from folk literature to historical biography literature of the Yuan Dynasty,realizing the bidirectional separation in the sense of semiotics.On the other hand,in the Ming Dynasty,the imitative works of Huaben created by the lower literati eliminated the folk characteristics of Wang Anshi’s image of the Yuan Dynasty to a certain extent,reflecting the confluence of the individual consciousness of literati and the collective consciousness of citizens.Therefore,it is not difficult to discover the spread of cross-stylistic and cross-contextual of Wang Anshi’s image,as well as the development process of stereotyping under the influence of different stylistic writers,aesthetic character and psychological mechanism of different discourse classes.

关 键 词：王安石 形象传播 刻板化 污名化 

分 类 号：K24[历史地理—历史学]