亲情、历史和童年想象——论“梅子涵新小说”的叙事艺术与美学走向  

Reflections of the Family Ties,Historical Events and Childhood Imaginations:A Study on the Narrative Art and Aesthetics Pursuit in MEI Zihan's New Novels

作　　者：李燕 LI Yan(College of Literature, Nanjing Xiaozhuang University, Nanjing 210017, China)

机构地区：[1]南京晓庄学院文学院,江苏南京210017

出　　处：《信阳师范学院学报（哲学社会科学版）》2022年第4期128-133,共6页Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)

基　　金：上海市哲学社会科学规划一般课题(2015BWY002)。

摘　　要：儿童文学作家梅子涵近期创作的《麻雀》《蓝裙子》等儿童小说延续其一贯的叙事创新,同时持续开掘自我童年记忆,巧妙融入富有童真童趣的奇特想象,含而不露地注入对社会历史和人生人性的深沉思考,呈现出崭新的叙事创新和艺术面貌,被命名为“梅子涵新小说”。文章从亲情、历史和童年想象三个维度探讨了“梅子涵新小说”的叙事艺术和美学走向。强烈的自我反思、耐人寻味的历史回忆与充满哲理意蕴的幻想,共同建构了“梅子涵新小说”的叙事美学,也为当代儿童文学增添了深沉阔达的气象。The well-known Chinese writer of children's literature,MEI Zihan,has recently published a series of short children's novels,called"MEI Zihan's New Novels",such as The Sparrows,Blue Skirt,etc.These new novels not only continue the lyrical colors and consistent narrative innovation,but also continually dig his childhood memories,skillfully blend in the imagination of children,and quietly add in his thorough seeking of humanity and life,social cultures of specific historical times.This paper will discuss the three dimensions of the narrative art and the aesthetics direction of MEI Zihan's New Novels:the family ties,the historical events and the childhood imaginations.In a word,intense self-reflection,thought-provoking historical recollections and philosophical fantasies,all in together constitute a distinct style of narrative aesthetics in MEI Zihan's New Novels and produce deep connotation for contemporary Chinese children's literature.

关 键 词：梅子涵新小说 叙事艺术 美学走向 

分 类 号：I207.8[文学—中国文学]