韵律与语法的博弈——以戏曲唱词为例  

The Game Between Rhythm and Grammar——A Case Study of Opera Lyrics

作　　者：朱皋[1] Zhu Gao(The School of Liberal Arts,Yancheng Normal University,Yancheng,Jiangsu,224002)

机构地区：[1]盐城师范学院文学院,江苏盐城224002

出　　处：《语文学刊》2022年第3期38-43,共6页Journal of Language and Literature Studies

基　　金：国家社科基金青年项目“汉语语篇意义整合的机制和手段研究”(18CYY045)阶段性研究成果。

摘　　要：京剧或其他剧种的唱词为了表现韵律,在句法上往往采用“添加”和“删减”的方式。添加的成分主要有:方位词“里”“间”“上”、复数标记“们”、语气词“了”“来”“啊”等;“删减”的方式主要表现为:删减方位词、删减“经典”、删减“典故”等。有些成分意义上是冗余的,有些成分是突破语法常规的,但从韵律上看是合韵律的,受韵律支配而产生,是语言特区中的合理现象。The lyrics of Peking Opera or other operas are syntactically“additive”and“subtractive”in order to express the rhythm.The main components added are:location words“li”“Jian”“shang”,plural mark“men”,modal words“lai”“ah”and so on;The main performance of“deletion”is:deletion of location words,“classic”and“allusion”.Some are redundant in meaning,and some break through grammatical conventions;But from the point of view of prosody,it is prosodic and produced under the control of prosody,which is a reasonable phenomenon in the Special Linguistic Zone.

关 键 词：唱词 韵律 语法 语言特区 

分 类 号：H146[语言文字—汉语]