从叹词重叠和语气词连用看汉语音步重音模式  

On the Stress Pattern of Chinese Foot from the Perspective of The Overlap of Interjections and the Conjunction of Modal Particles

作　　者：程润峰 夏朝阳 Cheng Runfeng;Xia Zhaoyang(Research Center for Language and Language Education,Central China Normal University,Wuhan,Hubei,430079;Faculty of Arts and Humanities,The Open University of China,Beijing,100039)

机构地区：[1]华中师范大学语言与语言教育研究中心,湖北武汉430079 [2]国家开放大学人文教学部,北京100039

出　　处：《语文学刊》2022年第3期51-55,共5页Journal of Language and Literature Studies

基　　金：2017年度国家社会科学基金一般项目“现代汉语语气词的句法语用互动研究”(17BYY027);中央高校基本科研业务费资助(HUST:2021XXJS068);国家开放大学青年科研项目(Q21D0004)阶段性研究成果。

摘　　要：音步重音是汉语韵律音系学的基础问题,但目前学界对此争议颇大。叹词重叠和语气词连用都能构造为一个汉语音步,是考察汉语音步重音模式的重要材料。本文结合直觉夸张法、声学实验法和音系学理论分析法,考察了叹词重叠式音步和语气词连用式音步的重音位置和重音形式,认为此类音步的重音在右,且主要以音长凸显重度,这为既有说法提供了参照。Foot stress is the basic issue of Chinese prosodic phonology,but there is a great disagreement on this definition in the academy.Both the overlap of interjections and the conjunction of modal particles can be constructed into a Chinese foot,so they are important to investigate the stress pattern of Chinese foot.Combined with several methods,this paper investigates the stress position and stress form of the foot,and comes to the conclusion that the stress of this kind of foot is on the right,and the major emphasis is highlighted by the length of the sound.This provides a reference for the existing statements.

关 键 词：叹词重叠 语气词连用 汉语音步 重音模式 

分 类 号：H116[语言文字—汉语]