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作 者:张钧涵 Zhang Junhan
机构地区:[1]清华大学新闻与传播学院
出 处:《文化研究》2021年第4期271-286,共16页Cultural Studies
摘 要:作为在集体生产与集体生活环境中被构建出来的典型空间结构,集体宿舍这一带有中国特色的空间形态,通过对空间修辞的应用被深度嵌入了集体话语。本文在对集体宿舍的空间修辞进行解构的同时,结合深度访谈与参与式观察,探究主体与空间的互动关系,发现折叠技术所创造的物的压缩状态,成了集体宿舍中物的基础语言。同时,集体宿舍的使用主体也通过创造、利用“私域景观”这样半结构化的方式来对抗空间结构对个人隐私的侵占。此外,由于媒体技术的快速发展,集体宿舍的空间形态通过不断切片重组的方式被“再现”,扩大了其空间互动的范围,众多复杂的想象与感知也随即产生,从而构建出了一个以集体为主要想象的异托邦。As a typical spatial structure constructed in the collective production and living environment,the dormitory,a spatial form with Chinese characteristics,is deeply embedded as a collective discourse through the application of spatial rhetoric.While interpreting its spatial rhetoric,this article explores the interactive relationship between the subject and the space through in-depth interviews and participatory observations,and finds that the compressed state of objects created by folding technology has become the basicdiscourse of objects in the dormitory. At the same time, the subject of the dormitory also uses the semi-structured method of creating a “private landscape”to fight against the invasion of personal privacy by the spatial structure. In addition, due to the rapid development of media technology, the spatial form ofthe dormitory has been continuously “ reproduced” through slicing and reorganization, which has expanded the scope of its spatial interaction. Numerouscomplex imaginations and perceptions have also been generated immediately,constructing a collective heterotopia for the main imagination.
分 类 号:B02[哲学宗教—哲学理论] TU241.3[建筑科学—建筑设计及理论]
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