1930年代老上海的现代空间与文化差异--以施蛰存的《雾》为中心  

Modern Space and Cultural Differences in Old Shanghai in the 1930s:Based on Shi Zhecun's Fog

作　　者：高敏捷 王再兴 GAO Min-jie;WANG Zai-xing(College of Liberal Arts,Hubei Normal University,Huangshi,Hubei 435002)

机构地区：[1]湖北师范大学文学院,湖北黄石435002

出　　处：《怀化学院学报》2022年第3期87-90,共4页Journal of Huaihua University

摘　　要：1930年代,上海的都市空间呈现出鲜明的现代特征。“火车”一方面沟通了周边的城镇与上海之间的往来,另一方面也以全新的现代空间熏染和冲撞着乘坐者源自小城镇的乡土经验。施蛰存笔下的上海并非一个刻板、单一的现代空间,尤其是当小说中的人物来到上海时,这种复杂性表现得相当突出。《雾》中的女主人公乘坐火车前往上海,在现代空间中放纵心理欲望,又因文化差异而欲望幻灭。施蛰存不仅书写了上海作为都市的一面,同时也展示了现代空间里混杂的经验纠缠。In the 1930s,Shanghai's urban space showed distinct modern characteristics.On the one hand,the train connects the surrounding towns with Shanghai,and on the other hand,it impinges on the local experience of the passengers originating from small towns with a new modern space.Shi Zhecun's Shanghai is not a rigid and single modern space but a complex space,especially when the characters in the story first arrive in Shanghai.In Fog,the heroine takes a train to Shanghai,indulges her psychological desire in modern space,and then becomes disillusioned due to cultural differences.Shi Zhecun not only writes about Shanghai as a city,but also shows the tangled experience in modern space.

关 键 词：都市 现代空间 欲望 文化差异 

分 类 号：I247[文学—中国文学]