从传统花会、“腐朽庙舍”到现代博览会:成都青羊宫的地方政治与空间改良(1906—1937)  

From the Traditional Flower Fair,“Decadent Temple Houses”to Modern Expositions:Local Politics and Space Improvement of Qingyang Palace in Chengdu(1906—1937)

作　　者：范瑛[1] Fan Ying(School of History & Culture, Sichuan University, Chengdu 610065)

机构地区：[1]四川大学历史文化学院,四川成都610065

出　　处：《华中师范大学学报（人文社会科学版）》2022年第4期130-144,共15页Journal of Central China Normal University:Humanities and Social Sciences

基　　金：国家社会科学基金重大项目“中国近现代博览会通史”(13&ZD096);国家社会科学基金一般项目“近代成都城市空间中的权力、资本与社会研究”(15BZS025);四川大学成渝地区双城经济圈建设研究计划(SCJJ-04)。

摘　　要：甲午战争前后,改城市传统“赛会”为近代博览会的论说屡见于报端,1906年内陆城市成都率先付诸实践。与其他城市博览会或在工厂、公园举办,或新建场地展览不同,成都劝业会脱胎于历史悠久的青羊宫花会。清末新政时期,官方开始在青羊宫花会原址举办劝工会,振兴工商之余亦寄托着改造民俗、改良社会的景愿。民国时期川政为军阀控制,劝业会数度停废、重办,花会却由于民间传统的惯性而始终沿袭依旧。作为近代临时公共展览空间,青羊宫劝业会不仅因集中了城市主要的资本力量和权力主体而成为不同权力意志彰显与博弈的场域,更因为商民的广泛参与而吸引了社会舆论和媒体的高度关注,成为社会关系的焦点。清末至民国,官方在青羊宫、二仙庵兴办劝业会、推行空间改良的历程,涌动着近代思潮的搏动、地方政治的诡谲、传统习俗的深植和多方社会力量的博弈,镌刻着一个内陆传统城市现代性脱胎、重塑和成长的艰难历程。Before and after the First Sino-Japanese War(1894—1895),the discussion of changing the city’s traditional temple fairs into modern industrial expositions was frequently reported in newspapers.In 1906,Chengdu,an inland city,took the lead in putting it into practice.Unlike other city fairs held in factories,parks,or newly built venues,the expositions in Chengdu were born out of the Flower Fair at the Taoist temple Qingyang Palace.In the late Qing Dynasty,the local governors decided to hold expositions at the original site of Qingyang Palace Flower Fairs,in hope of transforming folk customs and reforming the society while revitalizing industry and commerce.In early Republican China,the Sichuan government was controlled by warlords,and the expositions were abolished and re-established for several times,but the Follower Fair was still carried on due to the inertia of folk tradition.As a temporary space for public exhibition,Qingyang Palace not only became a field of the display and gaming of different forces,for its concentration of the city’s main capital forces and political powers,but also attracted the keen attention of public opinion and media because of the extensive participation of merchants and the public.Thus,the Qingyang Palace became the center of social relations.The process of the local government holding expositions in Qingyang Palace and implementing the spatial improvement,surged with the pulsation of modern ideological trends,the cunning of local politics,the deep planted traditional customs and the game of various social forces,engraved the difficult process of the birth,reshaping and production of modernity in an inland traditional city.

关 键 词：成都 青羊宫 劝业会 空间 地方政治 权力 

分 类 号：F42[经济管理—产业经济]