西方左翼戏剧的介入实践与美学创造  

The Social Intervention and Aesthetic Creation of Western Left-wing Theatre

作　　者：李时学[1] LI Shixue

机构地区：[1]集美大学文学院

出　　处：《戏剧艺术》2022年第2期48-58,共11页Theatre Arts

基　　金：教育部人文社会科学规划项目“新左派运动与美国左翼戏剧之关系研究”(16YJA752006)的阶段性成果。

摘　　要：西方左翼戏剧美学在剧本、舞台空间、演出形式和观演关系等方面的创造和革新,除了受马克思主义社会介入观念的影响外,真正动因是工人运动的实际需要、左翼戏剧本身突出的意识形态本性以及现代戏剧观念和美学思潮的激荡,其直接的动力机制在于由强烈的政治诉求引发的主体介入和参与。主要受现实政治和意识形态诉求推动的左翼戏剧改变了传统的戏剧惯例,跟戏剧艺术的先锋派一道创造了极具影响力的新的戏剧美学。In addition to the influence of the Marxist concept of social intervention,the creation and innovation of Western left-wing theatre aesthetics,which are shown in scripts,stage space,performing forms and spectator-performance relations,are strongly impelled by the practical needs of the labor movement,its salient ideological nature,and the prevalent modern theatrical ideas and aesthetic thoughts.Directly driven by the subjective intervention and participation caused by strong political demands,and promoted by political condition and ideology,the Western left-wing theatre has changed the traditional theatrical practice and,together with the theatrical avant-garde,created a kind of influential,new theatrical aesthetics.

关 键 词：西方左翼戏剧 介入实践 参与 美学创造 

分 类 号：J80[艺术—戏剧戏曲]