文本想象与实景再造——试析沈周《庐山高图》的创作渊源  

Text Imagination and Real Scene Construction:An Analysis of the Origin of Shen Zhous Towering Lushan Mountain

作　　者：熊敏[1] 廖媛雨[1] Xiong Min;Liao Yuanyu

机构地区：[1]江西师范大学美术学院

出　　处：《美术》2022年第7期107-112,共6页Art Magazine

基　　金：2020年江西省文化艺术科学规划一般项目“历代山水图像中的’桃源’文化研究”(编号YG2020037)的阶段性成果。

摘　　要：本文从艺术创作规律和创作方法入手以综合考察《庐山高图》,该画作为沈周代表作之一,折现出艺术家诸多的艺术思考:其选择王蒙风格以表现文本中的庐山形象,并且将亲身游历的自然山水融入王蒙风格当中,使作品具有实景特征;为突出祝寿功能,画中强调了庐山的洞天福地特征,同时运用方从义风格来表现庐山深邃险峻的洞天仙境。这幅具有祝寿功能的作品,体现了沈周中年时期对诸多创作元素的综合探索,蕴含了丰富的文化内涵,由此成为其山水创作成熟的标志。This paper examines the Towering Lushan Mountain painting from the aspects of artistic creation laws and artistic creation methods.As one of the representative works of Shen Zhou,the painting reflects the rich artistic thinking of the artist.The painter chooses Wang Meng style to present the image of the Lushan Mountain in the text,and integrates the natural landscape personally visited by himself with Wang Meng style to give the work real characteristics;to heighten the function of birthday congratulations,the painting highlights the earthly paradise feature of the Lushan Mountain.The Fang Congyi style is used to depict the mysterious and precipitous heavenly properties of the Lushan Mountain.This painting with the function of birthday congratulations reflects the comprehensive exploration of multiple creative elements by Shen Zhou at midlife,and contains rich cultural connotations,marking the maturity of Shen’s landscape painting creation".

关 键 词：沈周 《庐山高图》 文本想象 实景再造 

分 类 号：J209[艺术—美术]