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作 者:李小红[1] 孙丁凡 LI Xiaohong;SUN Dingfan(Department of Chinese language and Literature,Northwest Minzu University,Lanzhou 730030,Gansu)
机构地区:[1]西北民族大学中国语言文学学部,甘肃兰州730030
出 处:《陕西理工大学学报(社会科学版)》2022年第3期18-24,共7页Journal of Shaanxi University of Technology(Social Science)
基 金:甘肃省青年博士基金项目(2021QB-149);西北民族大学科研创新团队(10014601)。
摘 要:进入21世纪,全球化浪潮席卷中国大地,商品经济与消费文化的耦合,让作家开始重新审视、书写城市。近年来长篇小说中的城市书写,表现出如下的新特质:首先,从时空双重维度拓展的城市书写,在时间上不仅有对城市现实的描写,更有对城市历史的追溯;在空间上,既书写大城市也对新兴的小城市给予关注。其次,小说书写的主角也发生了变化,除传统市民形象之外,形成了以知识分子、打工者以及城市新人类为代表的人物群像。最后,城市书写在叙事结构、叙事角度、叙事语言上呈现出以空间为主体、第三人称与第一人称交互使用以及语言上的诗性追求等新特点。After entering the 21st century,globalization has swept across China.The coupling of the commodity economy and the culture of consumerism made writers begin to re-examine and write about cities.In recent years,the urban writing in novels shows the following new features.First,the urban writing expands with the dual dimension in space and time,which not only describes the urban reality in time,but also traces the urban history.In terms of space,it not only writes about big cities but also pays attention to emerging small cities.Second,the protagonists of novels have also changed.Besides the traditional citizen images,the image group has formed including intellectuals,migrant workers and new urban people.Finally,urban writing shows new characteristics such as taking space as the main body,the interactive use of third person and first person and the poetic pursuit of language in narrative structure,narrative angle and narrative language.
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