《九歌》人称辨疑  

An in-depth Analysis of Appellation in Nine Songs

作　　者：张雅 Zhang Ya

机构地区：[1]南开大学文学院

出　　处：《文学与文化》2022年第2期35-41,共7页Literature and Culture Studies

摘　　要：《九歌》所述乃楚国神灵祭祀仪式,对此研究者并无异辞,但《九歌》究竟是祭祀仪式专用的祭歌,还只是屈原以个人视角叙述观感、铺陈想象并借以抒写情志的诗作,迄今仍然存在分歧。而所以如此,即与《九歌》文本中宾主彼我之辞的复杂难辨有关。因此,与诗歌主旨的整体判断同等重要的,是对不同篇章中人称的分布特征与情节脉络之间的内在联系的深入考辨。Nine Songs describes the sacrificial ceremony to the gods in the state of Chu,which is agreed upon by all the researchers.However,different opinions still remains on whether Nine Songs is the dedicated sacrificial songs for sacrificial ceremony or Qu Yuan’s lyric poem,showing his feelings,imagination and emotions from a personal perspective.This divergence of opinion is related to the complexity and difficulty in distinguishing the words referring the object and the subject in the text of Nine Songs.Therefore,as important as the overall judgment of the theme of poetry is an in-depth examination of the internal relationship between the distribution characteristics of appellation and the context of plots in different chapters.

关 键 词：《九歌》 人物称谓 话语归属 诗歌性质 

分 类 号：I207.22[文学—中国文学]