《童谣七首》与“真诗乃在民间”  

Seven Nursery Rhymes and“Real Poems Are in the Folk Literature”

作　　者：周玉波 Zhou Yubo

机构地区：[1]江苏第二师范学院文学院

出　　处：《文学与文化》2022年第2期96-103,共8页Literature and Culture Studies

摘　　要：明嘉靖九年黄省曾刻本《空同先生集》卷六辑录的《童谣七首》,向来少有人知,其对全面、准确地理解李梦阳倡言的“真诗乃在民间”说,有着重要的参考、借鉴作用。“真诗乃在民间”所说“真诗”的标本,就是现实中仍然存在的、源自《诗经》中的风诗、真切表达民心民情民意的鲜活的民歌;对“真诗”的判定,不在雅俗的表象,而在情感的内核。此一倡言对明代民歌的发生发展有着直接的引领催化作用,《童谣七首》的民歌史、文学史价值亦在于斯。Few people know about Seven Nursery Rhymes,which can be found in Volume 6 of Collection of Li Mengyang block-printed by Huang Xingzeng in the 9th year of Emperor Jia Jing’s reign in Ming Dynasty.However,Seven Nursery Rhymes has an important role in fully and accurately understand Li Mengyang’s“real poems are in the folk literature”,an important reference.The specimens of“real poems”in the saying that“real poems are in the folk literature”are the fresh folk songs,which existed in real life and were collected in the Book of Songs,sincerely expressing the feelings of the people then.The judgment to the“real poems”lies in the emotional expression,not in the appearance of elegance or vulgarity.This criterion of judgment has been playing a leading and promoting role in the development of folk songs in the Ming dynasty,hence the value of Seven Nursery Rhymes in folk songs and literary history.

关 键 词：李梦阳 童谣七首 真诗乃在民间 

分 类 号：I207.8[文学—中国文学]