《狂人日记》:中国现代小说史的叙述端点  

Diary of a Madman:The Narrative Starting Point of Modern Chinese Fiction History

作　　者：姜异新[1] Jiang Yixin

机构地区：[1]北京鲁迅博物馆(北京新文化运动纪念馆)

出　　处：《励耘学刊》2022年第1期230-245,M0011,M0012,共18页

基　　金：国家社会科学基金一般项目“鲁迅的新文学收藏研究”,项目编号:17BZW145。

摘　　要：在以“五四”为主轴的现代性视野下的主流文学史讲述中, 1918年发表于《新青年》的《狂人日记》成为中国现代小说史的开端。然而, 1917年陈衡哲便发表了白话小说《一日》, 1915年李劼人已在成都创作《儿时影》等白话小说。中国现代小说的发生学研究逐步挑战主流文学史叙述,由小说这一视角出发重思何为现代、何以现代、何以开端成为不可回避的问题。本文从语言工具、主体意识、文学场域三个方面进人这一问题域,论证《狂人日记》所具有的统摄力及其何以成为中国现代小说史的叙述端点。In the mainstream narration of the Chinese modern literary history,the Diary of a Madman which published in New Youth in 1918 is regarded as the starting point from the perspective of modernity based on the May 4th movement.However,this narration is being challenged by some literary historian by the genetic study because of the facts that Chen Hengzhe published the vernacular novel named One Day in 1917,and Li Jieren created vernacular novels such as Childhood Memory in Chengdu in 1915.This thesis tries to rethink what is modern and why and how it began from three perspetives:language,subject consciousness and literary field,thus interpret and demonstrate why and how the Diary of a Madman become the narrative far-reaching starting point of modern Chinese fiction history due to its controlling power.

关 键 词：《狂人日记》 《一日》 李劼人 中国现代小说史 

分 类 号：I210.976[文学—中国文学]