“数字壁画建筑”敦煌壁画中建筑的数字化构建——以敦煌莫高窟第361窟南壁西起第一铺壁画图像中佛寺建筑为例  

Digital Construction of the Architecture in Dunhuang Murals——With a Case Study of the Buddhist Temple Architecture in a Painting in Mogao Cave 361

作　　者：王巧雯 张加万 WANG Qiaowen;ZHANG Jiawan(School of Architecture,Tianjin University,Tianjin 300072;Tianjin Cultural Heritage Protection and Inheritance Engineering Technology Center,Tianjin 300381;Key Laboratory of Information Technology for Protection and Inheritance of Architectural Cultural Heritage under the Ministry of Culture,Tianjin University,Tianjin 300072)

机构地区：[1]天津大学建筑学院,天津300072 [2]天津市文化遗产保护与传承工程技术中心,天津300381 [3]文化部建筑文化遗产保护传承信息技术重点实验室,天津300072

出　　处：《敦煌研究》2022年第2期125-135,共11页Dunhuang Research

摘　　要：本文以敦煌壁画中的建筑为例,结合中国唐代古典建筑特点,提出了一种从二维壁画图像到三维信息模型的数字化技术方法。首先对壁画全景与建筑特征进行分析与解读,通过建筑信息模型构建技术,依照古建筑建造规律和模数尺寸关系,经原境信息解读、构建方案设计、三维构建实践,将壁画二维建筑信息转换为三维建筑信息,实现壁画中建筑的数字化呈现。本方法为历史绘画作品中古典建筑的三维构建与呈现提供了思路与实践途径。By combining the characteristics of classical Tang dynasty architecture and 3D digital technology,and by taking the architecture in Dunhuang murals asexamples,this paper proposes a digital technology methodology for three dimensional informationmodeling based on two dimensionalmural images.The procedures are as follows:(1)analyze the characteristics of the architecture in a panoramic mural;(2)based on the principles of construction and proportion for ancient buildings,use architectural design information and modeling technology to transfer the two dimensional architecture visible in murals into three dimensional architectural data;(3)utilize 3D construction design technology to render a digital representation of the architecture in the mural.This method is intended to provide new ideas and practical approaches for the 3D construction and representation of the classic architecture in historical paintings.

关 键 词：敦煌莫高窟壁画 历史建筑图像 数字化构建呈现 实践方法探索 

分 类 号：K854.3[历史地理—考古学及博物馆学]