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作 者:HUANG Geng FENG Xinqun ZHUGE Yang WANG Pei 黄更;冯信群;诸葛阳;王沛
机构地区:[1]College of Fashion and Design, Donghua University, Shanghai 200051, China [2]Shanghai International College of Design and Innovation, Tongji University, Shanghai 200092, China
出 处:《Journal of Donghua University(English Edition)》2022年第3期289-298,共10页东华大学学报(英文版)
基 金:National Natural Science Foundation of China(No.71373227);Shanghai Design Science Category IV Peak Discipline Funding Project,China(No.DD18002);General Projects of Shanghai Philosophy and Social Science Planning in 2020,China(No.2020BWY028);Shanghai Style Transboundary Art Research Base of Donghua University,China。
摘 要:The duality of cultural and creative industry can maintain the independence of creative birth and management as well as taking into account of the artistic and marketability of creativity.Income distribution contracts that link the design process to the commercial value of creative ideas can solve the problem of quantitative incentives for creative subjects.At the same time,it can encourage creative subjects to complete commercial and artistic design activities.The principal-agent relationship between the upstream and downstream of the industrial chain is utilized to stimulate the creation of creative ideas in line with market conditions,so as to solve the problem of duality reconciliation of cultural and creative industries.Through the design of the cultural creative industry chain dual task creative incentive contract,in the process of encouraging creative design subjects to complete the design of the work to give consideration to the coordination of duality.By analyzing the influences of design capability,risk,cost coefficient and binary correlation on the optimal investment level and the optimal risk sharing level of creative subjects in two types of design activities,the input transfer caused by the variation of the above conditions is further discussed.
关 键 词:DUALITY creative industry creative business value incentive contract
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