《开宝藏》在蜀中雕造的文化因缘  

The Cultural Karma of the Block Printing of Kai Bao Tripitaka-Collection Buddhist Scriptures in Shu Region

作　　者：舒大刚[1] Shu Dagang

机构地区：[1]四川大学古籍研究所,四川成都610064

出　　处：《中华文化论坛》2022年第4期135-144,159,共11页Journal of Chinese Culture

基　　金：国家社科基金重大项目《巴蜀全书》(项目编号:10@ZH005)系列成果之一;贵州省社科基金国学单列项目“中国西部儒学史”中期成果。

摘　　要：《开宝藏》能在成都成功刊刻,具有重要的历史原因和文化因缘。除了物华天宝的天府之国的富鹰的物质、安宁的环境和鼎盛的佛教之外,成都以及蜀地浓厚的文化氛围,特别是先进的雕刻技术、发达的印刷事业、丰富的图书收藏等,也是促成这一壮举付诸实施的重要因素。The successful printing and publishing of Kai Bao Zang-Collection Buddhist Scriptures in Chengdu was facilitated by some important cultural karma and historic causes.Besides the essence and treasures-the prosperous substances in Shu Region-the so called Nature's Storehouse,peaceful social surroundings and the Buddhism in its zenith,there is also the deep cultural richness in Chengdu even the whole Shu Region,especially the advanced carving technology,developed printing cause and abundant book collections,etc.All of them become the important factors that impelled the magnificent feat to be put into practice.

关 键 词：蜀藏 佛藏 开宝大藏经 雕版印刷术 

分 类 号：K203[历史地理—历史学]