论林芙美子侵华战争时期作品中的女性书写——以《波涛》为中心  

The "Female writing" in Hayashi Fumiko’s Wartime Works——Focusing on "Waves"

作　　者：李炜[1] Li Wei(Central University of Finance and Economics, China Comparative literature)

机构地区：[1]中央财经大学外国语学院

出　　处：《日语学习与研究》2022年第3期92-99,共8页Journal of Japanese Language Study and Research

基　　金：2017年度国家社科基金重大项目“近代以来中日文学关系研究与文献整理(1870-2000)”(项目批准号:17ZDA277)的阶段研究成果;项目主持人:王志松。

摘　　要：林芙美子于1938年跟随“笔部队”来到中国,后根据相关随军体验创作了《战线》《北岸部队》《波涛》等系列著作。与前两部随军报道不同,《波涛》是在《朝日新闻》上连载后又正式出版的小说题材作品。曾有日本学者指出,《波涛》中包含不合时局的女性书写,并因此将其定位为林芙美子在战争期间创作的具有反战思想的作品。本文在分析《波涛》的产生背景及创作意图的基础上,对前期研究中的“反战思想说”提出了质疑,并具体探究了这部作品中的女性书写是否与战争时局相符的问题。Hayashi Fumiko arrived in China in 1938 with the "Pen Corps" and based on that army experience she wrote "Front","The north shore of the army","Waves" and other series of works.Unlike the other two army reports,"Waves" was published after first being serialized in Asahi Shimbun."Waves" was also identified by some Japanese scholars as a "failure" of Hayashi Fumiko’s anti-war thought during the war because it contained outdated female writing.This paper is based on an analysis of the background and intention,and questions the idea of "anti-war thought" as argued in former research.Specifically,it explores the question of whether the "female writing" is consistent with the situation of the war described in this work.

关 键 词：林芙美子 波涛 女性书写 

分 类 号：I313.074[文学—其他各国文学]