仪式表演视角下连南瑶族自治县排瑶“耍歌堂”舞蹈文本阐释  

Dance Text Interpretation of Liannan Paiyao’s“Shuagetang”from the Perspective of Ritual Performance

作　　者：李婷 代宏 LI Ting;DAI Hong(Guangdong Polytechnic Normal University,Guangzhou 510665;Xinghai Conservatory of Music,Guangzhou 510006,China)

机构地区：[1]广东技术师范大学音乐学院舞蹈系,广州510665 [2]星海音乐学院音乐学系,广州510006

出　　处：《北京舞蹈学院学报》2022年第3期58-65,共8页Journal of Beijing Dance Academy

基　　金：国家社科基金艺术学项目“南岭民族走廊舞蹈文化研究”(项目编号20BE072)阶段性成果。

摘　　要：“耍歌堂”是排瑶纪念盘古王、祭祀祖先的盛大仪式,其舞蹈展现了人与神之间的沟通互动过程,并借由身体符号保存民族历史记忆,传达思想感情。文章结合广东省连南瑶族自治县排瑶田野考察,从舞蹈文本描述到以“仪式表演为中心”进行研究,将仪式舞蹈文本置于历史文献、口述传承与当下的仪式表演语境中,对其生成过程与表演实践的即时性与人的创造性建构、阈限期与结构特点、表征与隐喻等方面进行阐述,揭示“耍歌堂”仪式表演行为与仪式舞蹈表演的深层关联,为理解排瑶社会结构和舞蹈文化内涵提供一个新的视角。“Shuagetang”(a folk custom activity of singing and dancing)is a grand ceremony for Paiyao ethnic group to commemorate the creator Pan Gu and offer sacrifices to their ancestors.Its dance shows the process of communication and interaction between man and God,and uses body symbols to preserve ethnic historical memory and convey thoughts and feelings.Combined with the field investigation of Paiyao in Liannan,this paper studies the dance texts and takes the“ritual performance as the center”.It puts the ritual dance texts in the context of historical documents,oral inheritance and current ritual performance,and expounds its generation process,the immediacy of performance practice,people’s creative construction,threshold period and structural characteristics,representation and metaphor.The paper reveals the deep relation between the ritual performance behavior of“Shuagetang”and ritual dance performance,so as to provide a new perspective for understanding Paiyao’s social structure and dance cultural connotation.

关 键 词：仪式表演 耍歌堂 舞蹈文本 文化认同 

分 类 号：J722.[艺术—舞蹈]