当代中国民族民间舞蹈创作中文化空间的建构探索  

Exploration on the Construction of Cultural Space in the Creation of Contemporary Chinese Folk Dance

作　　者：肖继元[1] XIAO Ji-yuan(College of Dance,Minzu University of China,Beijing 100081,China)

机构地区：[1]中央民族大学舞蹈学院,北京100081

出　　处：《北京舞蹈学院学报》2022年第3期86-90,共5页Journal of Beijing Dance Academy

基　　金：2020年北京市民族艺术学高精尖学科一般项目“人类学视野下的民族舞蹈表现新途径探寻——回归的身体与多义的表达”(项目编号ART2020Y13)的研究成果。

摘　　要：当代中国民族民间舞蹈作品很大程度上是编创者对民族文化的再创造成果,其在时代语境中呈现出鲜明的时间印记和个人色彩,并建构起以民族文化为内核、以多样形式为载体、以文化尊重为前提的审美范式,以此范式为路径,把本存在于“田野”中的原生身体动态文化在创作思维的重构中带进剧场空间,在剧场空间中把审美主体带入属于特定民族的文化空间,并在此文化空间中形成文化互通,因而也突显出文化空间建构在当代中国民族民间舞创作中的重要作用。由此,从文化空间视角切入,以当代中国民族民间舞蹈创作为研究对象,通过对民族文化空间相关概念的解读,分析当代中国民族民间舞蹈创作中文化空间的建构与呈现意义,进而挖掘民族民间舞蹈自身的时代价值与创作原则,为当代中国民族民间舞蹈的创作提供参考。Contemporary Chinese folk dance works are to a large extent the recreations of ethnic culture by the creators.They present distinct time marks and individual colors in the context of the era,and construct an aesthetic paradigm with ethnic culture as the core,diversified forms as the carrier,and cultural respect as the premise.This exists in the“field”in the native body dynamic culture in the creative thinking of refactoring into theatre space,the aesthetic subject in theater space into belongs to a particular ethnic cultural space,cultural exchange and formed in the cultural space,thus highlights the cultural space construction in an important role in contemporary Chinese national folk creation.Thus,from the perspective of cultural space,with the contemporary Chinese ethnic folk dance creation as the research object,through to the cultural interpretation of the concept of spatial correlation analysis of the construction of contemporary Chinese folk dance culture space and presents the significance,and then to the value of national folk dance's own age and the creation principle,provide a reference for contemporary Chinese ethnic folk dance creation.

关 键 词：中国民族民间舞蹈 当代舞蹈创作 文化空间 

分 类 号：J792[艺术—舞蹈]