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作 者:马卫红[1] Ma Weihong
机构地区:[1]浙江外国语学院西方语言文化学院,浙江杭州310023
出 处:《东北亚外语研究》2022年第3期85-94,共10页Foreign Language Research in Northeast Asia
摘 要:关注民间文学是俄罗斯文学不同发展阶段的共同特征。作为艺术创作的活水源头,民间文学不仅为诗人的创作提供了艺术素材和创作灵感,还影响其创作风格和审美个性。作为民间文学的一个重要体裁,叙事谣曲对俄罗斯诗歌发展产生了深刻影响。本文在阐述叙事谣曲的概念及其特点的基础上,揭示叙事谣曲体裁在19世纪罗斯文学中的发展轨迹,并以阿赫玛托娃的诗歌为例,分析20世纪初叙事谣曲体裁的演变。阿赫玛托娃将其抒情诗惯有的特点(叙事的简洁与克制、忧伤的爱情体验、隐而不发的紧张情绪、戏剧性和悲剧性冲突等)与传统叙事谣曲的主题和情节融为一体,并加以创新,形成了独特的阿赫玛托娃式的叙事谣曲抒情诗。Attention to folklore is a common feature of Russian literature at different stages of development.As a source of running water of artistic creation,folk literature not only provides artistic materials and inspiration for poets,but also affects their style and aesthetic perception.As an important genre of folk literature,ballads have had a profound impact on the development of Russian poetry. On the basis of expounding the concept and characteristics of ballads, this article reveals the development track of ballad genre in 19th century of Russian literature, and analyzes the evolution of ballade genre in the early 20th century by taking Akhmatova’s poetry as an example. Akhmatova integrated usual features of her lyrics (narrative brevity and restraint, melancholy love experience, hidden tension, dramatic and tragical conflict, etc.) with the theme and plot of traditional narrative ballads, and innovated them to form a unique Akhmatova-style narrative ballad lyric.
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