喀尔喀蒙古一世哲布尊丹巴肖像画分析  

The Portraits of the First Jebzundamba of Khalkha Mongolia

作　　者：苞璐尔 谢继胜 Baoluer;Xie Jisheng

机构地区：[1]浙江大学艺术与考古学院

出　　处：《国学学刊》2022年第2期114-122,141,共10页Research in the Traditions of Chinese Culture

摘　　要：一世哲布尊丹巴肖像画自18世纪以来在喀尔喀蒙古艺术主题中占据一席之地,其中一幅肖像画的作者一直以来被认为是哲布尊丹巴本人,因此人们称之为“自画像”。此画像正中为手持经书的老年时期哲布尊丹巴,其上方左右角分别绘四世班禅额尔德尼与五世达赖喇嘛,中间的修行本尊为白胜乐金刚,此外亦绘有一些格鲁派护法神,展现了哲布尊丹巴与格鲁派之间的密切联系。哲布尊丹巴肖像画逐渐成为一种固定的宗教领袖形象,在后人不同的理解与阐释下以多种形象出现,反映其形象在喀尔喀蒙古藏传佛教发展中的重要性。The portraits of the first Jebzundamba have always had an important place in the themes of the Khalkha Mongolian art since the 18th century.Among them,there is one portrait being seen as a self-portrait,which means the author is believed to be the first Jebzundamba.The main figure in the center of the portait is the first Jebzundamba in his senior years,with a sutra in his hand.At the top of it the figures of Fourth Panchen Erdeni and the Fifth Dalai Lama were depicted at both ends,and in the middle of them it is the deity of white Cakrasamvara,with images of several guardian deities in Gelug tradition painted as well,which shows the first Jebzundamba had close connection with the Gelug tradition.The portraits of the Jebzundamba had gradually led to a conventional image of religious leader,which appeared variously in different portraits caused by painters’different understandings.And it reflects the importance of this image during the development of Tibetan Buddhism in Khalkha Mongolia.

关 键 词：一世哲布尊丹巴 肖像画 格鲁派 四世班禅 

分 类 号：J219[艺术—美术] B946.6[哲学宗教—宗教学]