《聊斋志异》中的家教观念——以《翩翩》《细柳》为例  

Family Education Concept of Liaozhai Zhiyi:Taking Pianpian and Xiliu as Examples

作　　者：高超 GAO Chao(Zichuan District Education and Sports Bureau,Zibo 255100,China)

机构地区：[1]淄川区教育和体育局家庭教育指导中心,山东淄博255100

出　　处：《蒲松龄研究》2022年第2期63-69,共7页Study on Pu Songling

摘　　要：《聊斋志异》“志而曰异,明其不同于常也”。然则结合明末清初小民经济自我主义提升的时代背景,蒲松龄笔下以“翩翩”“细柳”为代表的女性逐渐从“三从”的封建礼教桎梏中解脱出来,其独立意识已然觉醒,性格特征开始重新建构。《聊斋志异》中的女性形象性格迥异,跨越凡界、仙界、鬼界、妖界,搭建超现实的他界,注重家庭伦理、道德教化,其家庭教育观念在今天依然具有现实价值。Liaozhai Z hiyi records the weird and strange.Combined with the context of the late Ming and early Qing dynasties when the egoism of the small-scale citizen economy was promoted,the fictional women represented by Pu Songling’s Pianpian and Xiliu were gradually liberated from the feudal rituals of the“three obediences”.Women’s independence consciousness has been awakened and their character traits have begun to be reconstructed.The female characters in Liaozhai Zhiyi are extraordinarily different,transcending society and reality,traversing the realm of immortals,ghosts and demons,and constructing another surreal world,focusing on family ethics and moral education,among which the concept of family education in Flutter and Slim willow still bears realistic value.

关 键 词：《聊斋志异》 家教观念 翩翩 细柳 

分 类 号：I207.419[文学—中国文学]