《品花宝鉴》中异化的才子佳人模式  

The Alienated Amativeness Model of Talented Scholars and Lovely Ladies in Pin Hua Bao Jian

作　　者：李雨薇 舒乙 LI Yu-wei;SHU Yi(Qingdao Harbor Vocational and Technical College,Qingdao 266580,China;Department of Literature,Nanjing normal University,Nanjing 210097,China)

机构地区：[1]青岛港湾职业技术学院,山东青岛266580 [2]南京师范大学文学院,江苏南京210097

出　　处：《蒲松龄研究》2022年第2期153-160,共8页Study on Pu Songling

摘　　要：《品花宝鉴》中的同性恋情并未跳出才子佳人恋情模式的窠臼,陈森在小说中所追求的好色而不淫的新型士优之恋,依旧是建立在对优伶的女性化审美之上,最终还是回归到才子佳人的恋情模式。但由于同性恋情的特殊性,小说中的士优之恋也呈现出对才子佳人模式的僭越。这一异化的才子佳人模式下隐藏的是陈森矛盾的书写状态。陈森的矛盾心态造就了小说中的士子们既追求克己复礼下的“情”,又难以割舍感官刺激下的“欲”的矛盾。The homosexual love in Pin Hua Bao Jian dose not jump out of the amativeness model of talented scholars and lovely ladies.Chen Sen’s pursuit of the lecherous but not excessive new type love between scholars and actors is still based on feminine aesthetics of actors,which eventually returns to the amativeness model of talented scholars and lovely ladies.However,it is worth noting that the love between scholars and actors in the novel also presents the culmination of the model due to the particularity of the homosexuality.What is hidden in this alienated model is Chen Sen’s ambivalence of writing,which created the scholars in the novel both pursuing the“emotion”under“denying self and returning to propriety”and the“desire”under sensory stimulation.

关 键 词：《品花宝鉴》 男风 才子佳人模式 情欲矛盾 

分 类 号：I207.41[文学—中国文学]