源起于生命焦虑的形式冲动---论左思《咏史诗》的用典美学  

Form Impulses Originating from Life Anxiety--The Aesthetics of Allusions in Zuo Si's Song of the Epic

作　　者：李鹏飞 Li Pengfei

机构地区：[1]阜阳师范大学文学院

出　　处：《山东理工大学学报（社会科学版）》2022年第4期42-48,共7页Journal of Shandong University of Technology（Social Sciences Edition）

基　　金：安徽省哲学社会科学规划一般项目“《古诗十九首》接受史研究”(AHSKY2021D181)。

摘　　要：通过互文性理论的借用,将古代诗学中的用事拓展为对《咏史诗》中用事、引语的全面细读,发现《咏史诗》主要继承了《古诗十九首》以组诗构建士人原型的结构,把“游士”的原型进一步转换为“寒士”原型。左思以组诗形式创造士人精神原型,是形式冲动下的诗学创造。用典的古今对比与意象的异质对举的基本结构糅合言语、意象与典故为有机整体,将历史事象纳入时空对比之中,为通过组诗的形式形成类比结构、建立认知原型提供了可能,也是发愤抒情、美刺讽谏、明志修身等文学功能发生的基础。《咏史诗》奠定了咏史诗体美感表达的基本技术,凸显了咏史诗体的认知价值。By borrowing the theory of intertextuality and expanding the allusions in ancient poetics to a comprehensive and close reading of the allusions and quotations in Zuo Si's Song of the Epic,it is found that Song of the Epic mainly inherits the structure of the scholar prototype constructed by a group of poems in Nineteen Ancient Poems,and further transforms the prototype of"Youshi"(wandering scholars)into“Hanshi”(poor scholars).Zuo Si created the spiritual prototype of scholars in the form of a group of poems,which is poetic creation under the impulse of form.The structure of contrasting allusions and images in a group of poems provides the basis for building cognitive prototypes and the occurrence of literary functions like lyricism,irony,and self-cultivation.Zuo Si’s Song of the Epic lays the foundation for the allusive aesthetics of five-character poems and highlights the cognitive value of the epic poems.

关 键 词：左思 《咏史诗》 组诗 用典美学 

分 类 号：I206.2[文学—中国文学]