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作 者:刘泽华 LIU Zehua(College of Chinese Language and Literature,Fujian Normal University,Fuzhou 350007,China)
出 处:《合肥工业大学学报(社会科学版)》2022年第4期89-94,共6页Journal of Hefei University of Technology(Social Sciences)
基 金:国家社会科学基金一般项目(21BZW016)。
摘 要:苏轼诗歌创作中出现了大量的尘土意象,一方面丰富了苏轼诗歌的语言文化底蕴,另一方面又增强了苏轼诗歌的艺术审美功能。苏轼通过诗歌创作和尘土意象的互联、互通,把自己跌宕起伏的宦海生涯形塑成一个充满寓意的“尘土”世界。在苏轼的积极推动下,又让尘土意象渐变为宋代文士诗歌创作的重要喻体及谪迁符号。文章通过对苏轼诗歌进行定量耙梳,离析并整理出苏轼诗歌的尘土意象,以期能透视苏轼的处世心态,也为学界研究苏轼诗歌创作心态提供一种新的考察维度。A large amount of image of dust appears in Su Shi’s poetry creation,which enriches the cultural connotation of language and strengthens the function of art aesthetics of his poetry.Through the intercommunication of poetry creation and image of dust,Su Shi shaped his ups and downs of political life into a world full of metaphoric“dust”.With Su Shi’s advocation and promotion,the image of dust gradually became an important metaphor and a symbol of disbanding in the poetry creation of the literati in Song Dynasty.Through the quantitative analysis of Su Shi’s poetry,this paper isolates and sorts out the image of dust in Su Shi’s poetry,in order to look into Su Shi’s attitude of living and provide a new dimension of investigation for the current academic research on Su Shi’s mentality in poetry creation.
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