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作 者:王如 WANG Ru(School of International Studies,Zhejiang University,Hangzhou 310058,China)
出 处:《湖南工业大学学报(社会科学版)》2022年第4期100-107,128,共9页Journal of Hunan University of Technology(Social Science Edition)
摘 要:英国小说家伍尔夫的《达洛卫夫人》和中国小说家残雪的《吕芳诗小姐》,都强调身体与精神的抗衡,并视之为人性的矛盾,但两个文本在自然、观念、社会三个层面上具体表达的身体性,彼此又相互矛盾。《达洛卫夫人》保留了性别事实,重新建立了愉悦化性欲;取消了身体的抽象普遍性,建立起身体的个体性;构建了无边界、有存亡的身体结构,将身体的意义最终归于精神。其蕴含着伍尔夫视身体为手段的倾向。与此相对,《吕芳诗小姐》则取消了性别事实,重建了激情化性欲;取消了身体的个体性,试图建立身体的深层普遍性;建立有边界、无存亡的身体普遍结构,视身体意义为身体本身。其表明,残雪把身体看作是一种目的性存在。《达洛卫夫人》与《吕芳诗小姐》互为正反命题的两种身体性,构成二律背反关系,体现出现代语境下身体审美化和身体生命化在差异中的并存。Both Mrs Dalloway written by British novelist Woolf and Miss Lü Fangshi by Chinese novelist Conxue emphasize the confrontation between body and spirit, and consider it as the contradiction of human nature. The specific representations of body in the two texts on the three levels of nature, concept and society are contradictory to each other. Mrs. Dalloway retains gender as a fact and re-establishes sexuality of pleasure;cancels the abstract universality of the body and establishes the individuality of the body;conceives the body that has no physical boundary and may perish, attributing the meaning of body to spirit. This reveals Woolf’s inclination of regarding the body as a means. In contrast, Miss Lü Fangshi cancels the gender fact and reconstructs the sexuality of passion;cancels the individuality of the body, aiming at establishing the deep universality of the body;conceives a universal body structure that owns physical boundaries but don’t perish, believing that the meaning of the body exists in the body itself. Thus, body exists as the end in Canxue’s intention. These two kinds bodies,which are equally valid but contradictory propositions to each other, constitute a stable antinomy relationship,reflecting the coexistence of aesthetic body and life body among differences in modern context.
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