移画入园,因画理水——山水画论影响下的晚明江南文人园理水手法分析  

Moving the Painting into the Garden and Waterscape Construction with the Painting:Analysis of Water Arrangement of Jiangnan Literati Garden in the Late Ming Dynasty under the Influence of Landscape Painting Theory

作　　者：宋昊洋 王敏[1] 

机构地区：[1]同济大学建筑与城市规划学院

出　　处：《建筑与文化》2022年第8期226-228,共3页Architecture & Culture

摘　　要：受同期山水画论影响,晚明江南文人园水景营造与文人山水情趣相承,在实现居游功能的同时,融入了浓厚的诗情画意色彩。文章基于“移画入园,因画理水”视角,探讨在晚明画水论的影响下,江南文人园理水美学思想的转型发展;通过日涉园、许秘书园、归园田居诗文分析与平面复原,从整体格局、水景形态、空间组景、活动组织等方面对园林理水特征作进一步探讨,旨在传承中国传统山水审美,在当代人居环境建设中得到借鉴和延续。Influenced by the landscape painting theory,waterscape in Jiangnan literati gardens in the late Ming Dynasty were combined with the literati landscape interest,incorporating strong poetic and pictorial color while achieving residential and tourist functions.From the perspective of"moving the painting into the garden and waterscape construction with the painting",the paper explores the transformation and development of the aesthetic thought of managing water in the Jiangnan literati garden under the influence of the late Ming theory of painting water;through the analysis of poetic texts of Risheyuan,Xumishuyuan and Guiyuantianju and plane restoration,it further explores the waterscape characteristics of gardens in terms of the overall pattern,waterscape form,spatial grouping,and activity organization.The aim is to inherit the traditional Chinese landscape aesthetic,and to learn from and continue it in the construction of contemporary living environment.

关 键 词：风景园林 晚明江南 文人园 山水画论 水景营造 

分 类 号：J212[艺术—美术] TU986.1[建筑科学—城市规划与设计]