“图真”说与粉彩山水创作琐谈--以“珠山八友”为释例  

A Trivial Discussion on the Theory of"The True Nature of the Picture"and the Creation of Famille Rose Landscapes--Taking the"Eight Friends of Zhushan"as an Example

作　　者：王珮龙 王环香 Wang Peilong;Wang Huanxiang

机构地区：[1]不详

出　　处：《景德镇陶瓷》2022年第3期109-112,共4页Jingdezhen Ceramics

摘　　要：本文以荆浩的“图真”说为指导,对粉彩山水瓷画进行创作分析,并以“珠山八友”为例子作出解释性研究。提出“图真”的本质是在于创作主体与客体的统一,创作者的积累修炼是“图真”的前提,对自然规律的认识和山水精神的提取是粉彩山水瓷画创作“图真”的关键。Guided by Jing Hao's theory of""The True Nature of the Picture",this paper analyzes the creation of famille rose landscape porcelain paintings,and uses the"Eight Friends of Zhushan"as an example to make an explanatory study.It is proposed that the essence of"Tuzhen"lies in the unity of the subject and the object.The accumulation and cultivation of the creator is the premise of"Tuzhen".Its key is the understanding of natural laws and the extraction of landscape spirit.

关 键 词：“图真”说 粉彩山水瓷画 珠山八友 

分 类 号：J527[艺术—艺术设计]