“自国刑家”:中古皇权叙事在萧梁的异变  

“A Model of the Regime Established for the Family”: The Stereotype and Evolution of Liang Dynasty’s Imperial Power Narrative

作　　者：孙宝 Sun Bao

机构地区：[1]曲阜师范大学孔子文化研究院

出　　处：《兰州学刊》2022年第7期5-21,共17页

基　　金：国家社会科学基金项目“南北朝选官制度与文运兴变研究”(项目编号:16BZW047);山东省“泰山学者工程专项经费资助”(项目编号:tsqn20171206)阶段成果。

摘　　要：齐梁易代文书对萧衍进行“西伯”、刘秀、“桓文”“昆彭”、周武王等多重形象的塑造,促进了萧梁由“汤武革命”向“自国刑家”的孝治转型。萧梁儒佛并弘,在魏晋“二圣”书写传统下构建以萧顺之、萧衍为核心的帝系框架,并衍生出“储副”(萧统、萧纲)、“帝子”(萧绎)、藩王(高祖五王)、皇宗戚属等相关的皇权叙事类型。《丹阳上庸路碑》即是塑造萧纲“储副”形象的产物。太清之乱致使萧梁家国一体的皇权叙事模式发生异变,降北梁士涉及荆楚风物的书写则开启了北朝文化版图南扩的先声。During the iteration of Qi and Liang regime, a series of political documents created multiple images of Xiao Yan, such as “Xibo”, Liu Xiu, “Huan Wen”, “Kun Peng”, Zhou Wuwang, etc. This promoted Xiao Liang’s transition from “Tang Wu Revolution” to “A model of the regime established for the family”. Xiao Liang used both Confucianism and Buddhism to govern the country, and then the intellectuals established an imperial system with Xiao Shunzhi and Xiao Yan as the core under the writing tradition of “Two Saints” in the Wei and Jin Dynasties. As a result, the types of imperial power narratives related to “Crown Prince”(Xiao Tong, Xiao Gang), “Emperor’s son”(Xiao Yi), Lords(Five Lords of Xiao Yan), and Emperor’s Family were derived. Wars in the Taiqing period changed the narrative mode of the imperial power of Xiao Liang. The southerners who surrendered to the Northern Dynasties were involved in the writing of scenery and local specialty of Jingchu area, which accelerated the pace of southern expansion of the Northern Dynasties’ cultural territory.

关 键 词：萧梁 孝治 皇权叙事 萧衍 “二圣” 

分 类 号：K239[历史地理—历史学]