艺术形式的革命化与自我革命的形式化——论丁玲文学风格的流变与作家主体精神的辩证关系  

The Revolution of the Artistic Form and the Formalization of Self-revolution

作　　者：沈文慧[1] Shen Wenhui

机构地区：[1]信阳师范学院文学院,河南信阳464000

出　　处：《河南大学学报（社会科学版）》2022年第3期84-89,154,共7页Journal of Henan University(Social Sciences）

基　　金：国家社会科学基金项目“延安乡村建设中的文学生产研究”(18BZW138)阶段性成果;河南省高等学校哲学社会科学基础研究重大项目“延安乡村建设中的文学生产研究”(2018-JCZD-015)阶段性成果。

摘　　要：从新女性作家到左翼作家再到革命作家,丁玲的生命历程是一个不断改造旧我、构建新我的革命化过程,也是她的文学实践与其主体精神彼此形塑的过程。革命化的文学形式是丁玲不断进行自我革命的艺术呈现和文学表达,经由文学形式的革命化,丁玲实现了自我革命的形式化。丁玲文学风格的流变与其主体精神形成了同构与互文的辩证关系,体现了革命文艺工作者及其文学实践对时代精神的积极回应和主动对接,这种宝贵的精神品质值得发扬光大。From modern female writer to left-wing writer to revolutionary writer,Ding Ling’s life was a constant revolutionary process of renovating her old self to create a new self.It is also a process where her literary practice and main spirits reshape each other.Her revolutionary style is also the artistic and literary expression of her constant self-revolution,or to say through the literary form of revolution,Ding Ling realized the formalization of self-revolution.Changes of Ding Ling’s literary style and her main spiritual system influenced each other,thus forming a dialectical relationship that can reflect how revolutionary literary and artistic workers and their literary practice responded positively and connected actively to the spirits of the times.This precious spirits should be passed down and spread out by the literary circle in the new era.

关 键 词：丁玲 文学风格 文学体式 主体精神 革命化 

分 类 号：I206[文学—中国文学]