边缘话语与主题抒怀——抗战文艺战士杨骚的南洋书写  

Marginal Discourse and Thematic Lyricism——The Nanyang Writings of the Anti-Japanese War Literary Warrior Yang Sao

作　　者：何小海[1] HE Xiaohai(School of Social Sciences,Zhangzhou Institute of Technology,Zhangzhou,Fujian 363000,China)

机构地区：[1]漳州职业技术学院,福建漳州363000

出　　处：《漳州职业技术学院学报》2022年第2期76-82,共7页Journal of Zhangzhou Institute of Technology

基　　金：福建省教育厅社科科研项目(JBS14353)。

摘　　要：边缘生存与边缘话语,是南下作家在战时南洋地区进行文学创作的文化方式。在南洋这样的多元文化主义国度里,左翼作家杨骚善于透过法西斯统治的重重帷幕,以边缘性的话语与南洋人民共同完成反侵略文学这一神圣篇章的主题书写。杨骚以编辑为务、编辑闽侨总会机关刊物《民潮》;在当时那些对马华文学影响较大的报刊上发表评论文章;撰写富有南洋特色的马来亚军民抗战剧,为东南亚华文文学的发展提供了丰富的精神资源。Marginal existence and marginal discourse were the cultural ways in which southern writers conducted literary creation in the wartime Nanyang region.In a multiculturalist region like Nanyang,left-wing writer Yang Sao was adept at writing sacred texts in anti-invasion literature themed on marginal discourse through the heavy curtain of fascist rule in association with the people of Nanyang.He edited the National Cultural Trend,the mouthpiece of the Fujian Overseas Chinese General Association,published critical articles in newspapers that had a strong influence on Malaysian literature at the time,and wrote Malayan military and civilian Anti-Japanese War dramas that were rich in South Asian characteristics,providing a rich spiritual resource for the development of Southeast Asian Chinese literature.

关 键 词：杨骚 华文 边缘话语 东南亚 主题抒怀 反法西斯 抗战文艺 

分 类 号：I206.6[文学—中国文学]