新时期陶埙的嬗变与创新  

The Evolution and Innovation of Pottery Xun in the New Period

作　　者：赵建国[1] ZHAO Jian-guo(School of Fine Arts Chifeng College,Chifeng 024000,China)

机构地区：[1]赤峰学院美术学院,内蒙古赤峰024000

出　　处：《赤峰学院学报（哲学社会科学版）》2022年第7期62-64,共3页Journal of Chifeng University：Philosophy and Social Science Chinese Edition

基　　金：2019年度内蒙古自治区高等学校科学研究项目(人文社会科学重点项目)“埙文化的挖掘整理与传承研究”(NJSZ19202)。

摘　　要：埙是中国最古老的吹孔类乐器之一,因其简单的造型和特有的朴拙沉郁之声,被世人称为最接近人性的乐器。从东亚版图半坡仰韶文化遗址到相近时代的河姆渡文化、大地湾文化、红山文化遗址中都有陶埙出土,可以说埙是音乐起源说的“活化石”。我们传承辽文化中陶埙制作工艺的同时,还要迎接新时期陶埙的嬗变与创新。Ancient porcelain wind-instrument is China's oldest blow-hole musical instrument material.Its simple shape and peculiar simple and unsound voice are known as the closest musical instruments by humans.Ancient porcelain wind-instrument has been unearthed from the cultural relics of Banpo Yangshao in East Asia to the Hemudu culture,Dadiwan culture and Hongshan cultural sites of similar times.ancient porcelain wind-instrument can be said to be the"Living Fossil"of the origin of music.This article explores the evolution and innovation of Tao ancient porcelain wind-instrument under the background of Hongshan culture from the perspective of the view,aiming to inherit the production process of ancient porcelain wind-instrument in the northern Qidan Liao culture,and then explores the research and development of Tao ancient porcelain wind-instrument under the background of Hongshan culture.

关 键 词：陶埙 乐器 创新 

分 类 号：J527[艺术—艺术设计]