20世纪初英美诗歌的“空间转向”与审美现代转型  

The “Spatial Turn” and Modern Aesthetic Transformation of Anglo-American Poetry in the Early 20th Century

作　　者：邓鸥翔 DENG Ouxiang

机构地区：[1]四川外国语大学英语学院,重庆400031

出　　处：《外国语文》2022年第4期64-72,共9页Foreign Languages and Literature

基　　金：重庆市教育委员会人文社会科学研究项目“女性解放与诗歌现代转型:英美现代主义诗歌群体女诗人研究”(21SKGH135);2021年外国语言文学市级一流学科科研项目“英美现代主义诗歌的空间研究”(SISUWYJY202106)的阶段性成果。

摘　　要：20世纪初,英语诗歌从浪漫主义和维多利亚模式过渡到现代主义,发生“根本性转移”,也就是英美诗歌的现代审美转型。本文拟从空间视域考察这一“转移”的根本原因及其本质特征。具体而言,本文的分析围绕三个层面展开:英美诗歌的生成空间发生了转向,即由乡村转移到了城市;英美诗歌的描写对象和主题由自然空间转向了城市空间;诗歌创作技巧出现“空间化”取向。The transition of English poetry from Romantic poetry and Victorian poetry to modernist poetry is a “fundamental shift”. This “fundamental shift” in the early 20 th century is the modern aesthetic transformation of Anglo-American poetry. This paper intends to investigate the fundamental causes and essential features of this “shift” from the perspective of space. Specifically, the analysis and discussion of this paper are carried out on three levels: firstly, the generative space of Anglo-American poetry has changed, that is, from the countryside to the city;secondly, the subject and theme of Anglo-American poetry have changed from natural space to urban space;lastly, the poetic writing technique has the inclination of “spatialization”.

关 键 词：英美诗歌 空间转向 审美转型 

分 类 号：I106.2[文学—世界文学]