具象表现绘画中“视”与“思”的艺术表现研究  

RESEARCH ON THE ARTISTIC EXPRESSION OF“VISION”AND“THINKING”IN FIGURATIVE EXPRESSIONISM

作　　者：吴道武 萧睿 

机构地区：[1]北京林业大学 [2]北京林业大学艺术设计学院

出　　处：《包装与设计》2022年第4期178-179,共2页Package & Design

摘　　要：20世纪初至五十年代的欧洲绘画界在抽象绘画和极简主义绘画的盛行下变得越来越晦涩难明,从而引发的公共艺术危机使得绘画艺术也变得前景未卜。而此时具象表现绘画作为一种全新的表现形式与思想语言出现了,不仅拯救了当时岌岌可危的艺术界,同时也为当代绘画发展开辟了一个新的方向。本文旨在具象表现绘画的议题下,探讨其所蕴含的现象学特征的视觉理性和哲学沉思,并以两位具象表现艺术家的绘画作品为例,展现他们创作过程中是如何进行“视”与“思”的艺术表现的,从而发掘出具象表现绘画艺术语言对于当代绘画发展的启示意义。painting and minimalist painting.The public art crisis caused by it also made the future of painting uncertain.At this time,the emergence of figurative painting,as a new form of expression and ideological language,not only saved the precarious art world at that time,but also opened up a new direction for the development of contemporary painting.This paper aims to explore the visual rationality and philosophical meditation of its phenomenological characteristics under the topic of figurative performance painting,and take the paintings of two figurative performance artists as an example to show how they carry out the artistic expression of"vision"and"thinking"in the creative process,so as to explore the enlightenment significance of the artistic language of figurative performance painting for the development of contemporary painting.

关 键 词：具象表现绘画 视觉真实 现象学 

分 类 号：J20[艺术—美术]