主题学在德国的发生学意蕴  

The Genesis Implications of Thematology in Germany

作　　者：孟昭毅[1,2,3,4] MENG Zhaoyi

机构地区：[1]天津师范大学文学院,天津300387 [2]天津师范大学跨文化与世界文学研究院,天津300387 [3]中国东方文学研究会 [4]中国比较文学教学研究会

出　　处：《天津师范大学学报（社会科学版）》2022年第2期63-69,共7页Journal of Tianjin Normal University(Social Science)

摘　　要：作为比较文学重要领域的主题学,最早发端于德国。18世纪德国民族文化艺术的繁荣为此准备了温床。18世纪末到19世纪初,德国民俗学研究形成热潮。以赫尔德为首的德意志语文学学者们在"民族文学""世界文学"的双重视野下,发现了比较文学这一兼容的交感区域。到19世纪末,科赫将主题学研究的内容纳入比较文学的范畴。日耳曼语文学中严谨的实证主义学风,也促进了主题学研究的壮大。到20世纪下半叶,比较文学主题学在世界范围内开始积极、全面地发展。主题学的发展史,显现出了发生学思想的历史主义特征。As an important study field of comparative literature,thematology first originated in Germany,and nurtured by the prosperity of German national culture and art in the 18;century.From the end of the 18;century to the beginning of the 19;century,the study of German folklore became an upsurge.Under the dual vision of“national literature”and“world literature”,the scholars of German philology led by Herder discovered the thematology,the compatible and sympathetic region of comparative literary study.By the end of the 19;century,Koch included the studies of thematology into the category of comparative literature.The rigorous positivism in Germanic philology study has also promoted the growth of thematology.In the second half of the 20;century,thematology of comparative literature began to develop actively and comprehensively in the world.The development of thematology shows the historicism in the thinking of Genesis.

关 键 词：主题学 德国 比较文学 发生学 

分 类 号：I109[文学—世界文学]