梅花奖获奖规律研究——财政补贴、观众人次与获奖人数关系分析  

作　　者：武亚楠[1] 张光[1] 

机构地区：[1]三亚学院财经学院

出　　处：《北京文化创意》2022年第2期78-87,共10页Beijing Culture Creativity

基　　金：国家社会科学基金项目“中国艺术表演产业发展的政治经济学分析”(项目编号:17XZZ001)阶段性成果。

摘　　要：从总体情况、分剧种和分地区三个层次实证研究财政投入和观众人次与梅花奖获奖人次的关系。计量结果表明:财政补贴、观众人次对梅花奖获奖总人数有显著的正向作用;戏曲类剧种的财政补贴和观众人次对梅花奖获奖人数均有正向促进作用;区域差异上,财政补贴对东中部地区梅花奖获奖人数影响显著,而观众人次对中西部地区梅花奖获奖人数有显著影响,且各区域财政补贴、观众人次均对戏曲类梅花奖获奖人数有显著正向作用。实证分析得出以下结论:政府应加大对艺术表演领域的财政支持力度;要让观众掌握一定的戏剧评奖话语权;培养年轻的戏剧观众,探索传统媒体和新媒体相结合的舞台表演艺术的运作模式等。This paper empirically studies the relationship between financial subsidies, audience visits and the number of winners of Plum Blossom Awards from the overall situation, the types of drama and the regions. The results show that:(1) financial subsidies and audience visits have a significant positive effect on the total number of Plum Blossom Award winners;(2) the financial subsidies and audience visits of traditional operas play a positive role in promoting the number of Plum Blossom Award winners;(3) in terms of regional differences, financial subsidies have a significant impact on the number of winners of Plum Blossom Award in the eastern and central regions, while the number of audience has a significant impact on the number of winners of Plum Blossom Award in central and western regions. The financial subsidies and audience visits of each region have a significant positive effect on the number of winners of Plum Blossom Award of traditional Chinese opera. The empirical analysis draws the following conclusions: the government should increase financial support for the field of artistic performance;Let the audience have a certain say in Drama Awards;Cultivate young drama audiences and explore the operation mode of stage performing art combining traditional media and new media.

关 键 词：财政补贴 观众人次 梅花奖 剧种差异 区域差异 

分 类 号：J82[艺术—戏剧戏曲]