G.L.迪金森的现代主义人本美学观及其儒学根源  

G.L.Dickinson’s Modernist Human-Oriented Aesthetics and Its Confucian Root

作　　者：陶家俊[1] Tao Jiajun(School of English and International Studies,Beijing Foreign Studies University,Beijing,China)

机构地区：[1]北京外国语大学英语学院,北京100089

出　　处：《外国文学》2022年第4期129-137,共9页Foreign Literature

基　　金：国家社科基金重点项目“英国现代主义对中国古典文明的美学阐释”(20AWW001)。

摘　　要：本文从跨文化视角分析英国现代主义思想家G.L.迪金森的现代全球视域中以儒学为根源的现代主义人本美学。迪金森的现代主义人本美学观主要包括儒学根源、人本美学观及中西文明道体之问三个部分。立足儒学和古希腊人本精神,迪金森重建现代主义人本美学,反思批判现代西方文明。他对儒家文明精神的提炼及跨文化美学转化开启了中西文明精神循环交融的场域。This article analyzes the British modernist thinker G.L.Dickinson’s modernist human-oriented aesthetics rooted in Confucianism based on his modern global horizon from a transcultural perspective.Dickinson’s Modernist human-oriented aesthetics mainly includes the root of Confucianism,human-oriented aesthetics and the question of Tao concerning Chinese civilization and modern Western civilization.Based on the Confucianism and Hellenistic spirit of humanity,Dickinson reconstructs the humanoriented aesthetics of modernism and critiques modern Western civilization reflectively.His crystallization of Confucian civilizational spirit and its aesthetic transculturation opens up the field of cycling between Chinese civilization and Western civilization.

关 键 词：迪金森 人本美学 儒学 文明道体 

分 类 号：G0[文化科学]