班宇小说与“80后”文学创作“去历史化”的背后  

Ban Yu’s Novels and the "Dehistorization" of the Literary Creation of the "Post-80s Generation"

作　　者：常佳玥 CHANG Jia-yue(College of Arts,Liaoning University,Shenyang 110136,China)

机构地区：[1]辽宁大学文学院,辽宁沈阳110136

出　　处：《沈阳工程学院学报（社会科学版）》2022年第3期12-17,124,共7页Journal of Shenyang Institute of Engineering:Social Science

摘　　要：作为备受关注的“铁西三剑客”成员之一的班宇,其小说创作在对东北工业体制衰败的叙写中,通过对个体人物生存与命运悲剧的聚焦及叙事技巧、艺术风格的个人化处理和“后先锋性”表现,进行一种重构东北文化想象的实验,同时回归日常生活叙事,将历史作为一种思考的方式而不是容器的创作观念,呼应了“80后”作家特有的文学历史观,在“去历史化”表达的背后是这一代作家试图建立与历史对话的新方式的努力。这不仅回应了主流批评界对其历史虚无主义的质疑,也缓解了自身“历史匮乏”的主体性焦虑。As one of the members of the "Tiexi three swordsmen", Ban Yu’s novel creation carries out an experiment of reconstructing the cultural imagination of the northeast through the focus on the survival and fate tragedy of individual characters, the personalized treatment of narrative skills and artistic style and the performance of "post vanguard" in the narration of the decline of the industrial system of the northeast, and returns to the narration of daily life at the same time, The creative concept of taking history as a way of thinking rather than a container echoes the unique literary history view of the "post-80s" generation of writers. Behind the expression of "de historization" is the efforts of this generation of writers to establish a new way of dialogue with history. This not only responds to the questioning of its historical nihilism by the mainstream critics, but also alleviates its subjective anxiety of "historical scarcity".

关 键 词：班宇 “80后”作家 “去历史化”书写 

分 类 号：I206.7[文学—中国文学]