从亚里士多德的悲剧观论电影《胭脂扣》  

On the film Rouge Button based on Aristotle's view of tragedy

作　　者：包鑫 BAO Xin(School of Liberal Arts,Qufu Normal University,Shandong 273165,China)

机构地区：[1]曲阜师范大学文学院,山东曲阜273165

出　　处：《镇江高专学报》2022年第3期33-37,共5页Journal of Zhenjiang College

基　　金：2022年山东省青少年教育科学规划项目大学生学术课题(22BSH019);2022年曲阜师范大学研究生学位论文科研创新资助基金项目(LWCXS202258)。

摘　　要：电影《胭脂扣》自问世以来受到一代代人的追捧,该影片情节结构错综复杂、叙事视角相互交织、人物性格生动鲜明,展现了独特的魅力,同时也留下丰富的解读余地。亚里士多德在《诗学》中对悲剧作了系统阐释,其悲剧理论对后世影响深远。借助亚里士多德的悲剧理论,从情节、性格、形象3个方面以及悲剧的功能来透视这部影片,有助于梳理复杂的故事情节,发掘作品的深层内蕴。The film Rouge Button has been popular with generations since its inception.The film has complex plot structure,intertwined narrative perspectives and vivid characters,showing its unique charm and leaving rich room for interpretation.Aristotle made a systematic interpretation of tragedy in Poetics,and his tragedy theory had a far-reaching impact on later generations.With the help of Aristotle's tragedy theory,this film is viewed from the three aspects of plot,character,image and the function of tragedy,which can help sort out the complex plot and explore the deep connotation in the works.

关 键 词：亚里士多德 悲剧观 《胭脂扣》 

分 类 号：J905[艺术—电影电视艺术]