复调叙事与镜像隐喻——《伊丽莎白的朋友》中的战争记忆书写  

Polyphonic Narrative and the Mirror Metaphor: On the War Memory Writing in Murata Kiyoko’s Elizabeth’s Friend

作　　者：陈世华 柳田田 Chen Shihua;Liu Tiantian(School of Foreign Languages and Literature,Nanjing TECH University,Nanjing,China,211816)

机构地区：[1]南京工业大学外国语言文学学院

出　　处：《当代外国文学》2022年第2期79-86,共8页Contemporary Foreign Literature

基　　金：国家社会科学基金重点项目“日本‘护理’及老年题材文学研究”(20AWW003);江苏高校哲学社会科学研究重大项目“日本‘海洋文学’及海洋教育研究”(2020SJZDA022);江苏省研究生科研创新计划“日本近代‘弃老’题材文学研究”(KYCX21_1057)的阶段性成果。

摘　　要：村田喜代子的《伊丽莎白的朋友》刻画了以不同方式经历过日本侵华战争的三位罹患认知症的女性老人,她们在现实和幻想交错的混沌状态中度过生命最后一程。小说运用复调叙事的手法,呈现了日本侵华战争时期天津租界、伪满洲和日本国内的历史场景,构建出战争亲历者的回忆空间。同时,小说还以实像与虚像的对立揭示日本在侵华战争时期所鼓吹的“共荣”的虚幻性与欺骗性。作品暗示在日本右倾民族主义抬头的当下,对侵略历史教训进行反思和代际传递的重要性。Elizabeth’s Friend, written by Murata Kiyoko, tells the story of three elderly women with dementia, who experienced the Japanese War of Aggression against China in different ways and spent their last journeys in the chaotic state of reality and fantasy. Using polyphonic narrative, the novel not only presents the history of the concessions in Tianjin, Manchukuo and Japan during the Japanese War of Aggression against China, but also constructs the war witnesses’ memorial spaces. Meanwhile, through the opposition between real and virtual images, it reveals the illusory and deceptive nature of the Greater East Asia Coprosperity Sphere. Moreover, the novel stresses the need for reflecting on the historical lessons of aggression and the importance of intergenerational transmission at a moment of a rising trend in right deviationism within Japan.

关 键 词：村田喜代子 《伊丽莎白的朋友》 认知症 复调叙事 镜像隐喻 

分 类 号：I313.074[文学—其他各国文学]