民族国家视野下的三种中国现代乡土文学观念的范畴迁延  

Category Extension of Three Concepts of Chinese Modern Local Literature from the Nation-state Perspective

作　　者：卢月风 LU Yuefeng(School of Literature and Journalism,Guangdong Ocean University,Zhanjiang Guangdong 524000,China)

机构地区：[1]广东海洋大学文学与新闻传播学院,广东湛江524000

出　　处：《长沙大学学报》2022年第4期89-94,共6页Journal of Changsha University

摘　　要：新文学诞生不久,乡土文学在中国传统农耕文明与西方现代工业文明的对比与冲突中兴起并有了长足发展,而乡土文学理论也逐渐完善起来。无论是周作人“审美诗化”的乡土理念,还是鲁迅的“乡土启蒙论”,抑或茅盾的“乡土革命观”,均是作家在不同价值追求与情感取向左右下对民族国家建构路径的思考,记录了中国现代乡土文学观念的范畴迁延。虽时过境迁,依然可以从字里行间感受到知识分子的民族意识与家国情怀,也印证了乡土中国从传统到现代的过渡。Soon after the birth of new literature,local literature rose and made great progress in the comparison and conflict between Chinese traditional agricultural civilization and western modern industrial civilization,and the theory of local literature was gradually improved.Whether it is Zhou Zuoren’s local concept of“aesthetic poetics”,Lu Xun’s“local enlightenment theory”,or Mao Dun’s“local revolutionary view”,their thinking on the path of the modern nation-state construction under different value pursuit and emotional orientation records the extension of the category of China’s modern local view.Although times have changed,readers can still feel the intellectuals’national consciousness and patriotism between the lines,which confirms the transition of local China from tradition to modernity.

关 键 词：现代乡土文学 理论与范畴迁延 民族国家视野 

分 类 号：I206[文学—中国文学]