人称与中国新诗审美的现代转型  

Personal Pronouns and the Modern Transformation of Chinese New Poetry Aesthetics

作　　者：倪贝贝 NI Bei-bei(Office of Journals,Jianghan University,Wuhan 430056,China)

机构地区：[1]江汉大学期刊社,湖北武汉430056

出　　处：《东北师大学报（哲学社会科学版）》2022年第5期63-69,共7页Journal of Northeast Normal University(Philosophy and Social Science Edition)

基　　金：国家社会科学基金重大招标项目(16ZDA240);江汉大学2018年高层次人才科研启动费项目(06120001)。

摘　　要：人称代词作为中国新诗词汇中的新元素,不仅是新诗内容与语言形式变革上的一种外在体现,其背后折射出的诗人个体意识更参与了新诗诗思建构的全过程,反映了诗歌创作观念和构思方式的现代转型。人称代词对新诗情境的有机构建,推动了新诗独特情感体验方式的建立生成,增强了诗歌中人物(事物)的相互对话性与叙事意味,扩大了新诗的题材范围和表达范畴。多种人称在新诗中的身份立场和叙述视角的不同,产生了多层次观察和叠加叙事的效果,使主体人物之间关系的多样性和诗歌的逻辑关系趋于复杂化,促进了新诗审美功能的现代转变。As a new element in the vocabulary of Chinese new poetry,personal pronouns are not only an external manifestation of the changes in the content and language form of new poetry,but also reflects the poet s individual consciousness,which is involved in the whole process of the construction of the poetic thought of the new poetry,and reflects the modern transformation of the concept and conception of poetry creation.The organic construction of personal pronouns on the situation of new poetry promotes the establishment and generation of the unique emotional experience of new poetry,enhances the mutual dialogue and narrative meaning of characters(things)in poetry,and expands the scope of subject matter and expression of new poetry.The different identities and narrative perspectives of various persons in the new poetry form the effect of multi-level observation and superposition narration,which complicates the diversity of the relationship between the main characters and the logical relationship of the poetry,and promotes the modern transformation of the aesthetic function of the new poetry.

关 键 词：中国新诗 人称代词 抒情模式 审美范式 

分 类 号：I207.25[文学—中国文学]