陀思妥耶夫斯基小说《永远的丈夫》中的现实主义情节和浪漫主义超情节  

The Realistic Plot and Romantic Meta-story in Dostoevsky’s Novel The Eternal Husband

作　　者： 任晓舜(译) 张变革(校) A.B.Krinitsyn;Ren Xiaoshun;Zhang Biange

机构地区：[1]莫斯科国立大学 [2]首都师范大学 [3]北京第二外国语学院

出　　处：《俄罗斯文艺》2022年第3期59-70,共12页Russian Literature & Arts

基　　金：“北京第二外国语学院博士生导师学科建设提升经费”资助。

摘　　要：本论文在分析小说《永远的丈夫》的基础上,揭示陀思妥耶夫斯基心理描写的主要原则和方式。这包括以下三个方面:其一是建基于主人公(特鲁索茨基和韦利恰尼诺夫)的“地下室”心理展开之上的双重性原则——他们的关系中“友情—仇恨”悖论式地同时并存;其二是人物形象的多重阐释原则——他们的形象在场景转换中得到不同侧重的强调;其三是人物形象潜在的幻想性原则——这使读者在小说中既能读到现实主义的“白昼”情节,也能读到浪漫主义的“黑夜”超情节。The article attempts to identify the main principles and devices of Dostoevsky’s psychological analysis through studying his novel The Eternal Husband.In particular,the article focuses on the principle of duality of the main characters(Velchaninov and Trusotsky).Duality is manifested in the development of underground psychological traits,paradoxical mixture of friendship-enmity the relationship between protagonists,a principle of covert fantastic nature of Dostoevsky’s characters and their multiple interpretation resulting from the characters’constant transformation in the course of the story.All these features make us perceive the novel both as a realistic‘day’plot and a romantic‘night’meta-story.

关 键 词：陀思妥耶夫斯基小说《永远的丈夫》 现实主义情节 浪漫主义超情节 

分 类 号：I512.074[文学—其他各国文学]