神秘的对话:布尔加科夫《大师与玛格丽特》与斯特拉文斯基的芭蕾舞剧  

A Mysterious Dialogue: Bulgakov’s The Master and Margarita and Stravinsky’s Ballet

作　　者：姚学松 Yao Xuesong

机构地区：[1]四川大学

出　　处：《俄罗斯文艺》2022年第3期139-152,共14页Russian Literature & Arts

摘　　要：当伊戈尔·斯特拉文斯基的芭蕾舞剧在巴黎上演时,人们把它视为艺术革命的预兆。在莫斯科的创作生涯中,布尔加科夫对芭蕾产生了浓厚的兴趣,他寻求通过这种新的审美形式构建一种崭新的艺术语言。他的小说《大师与玛格丽特》在风格、形式和内容方面都与斯氏的芭蕾舞剧密切相关。在小说中,斯氏的舞剧发挥着双重功能:它既象征着现代空间中人类社会的崩溃,但也代表着通过回归仪式,神话与传统重新整合的可能性。对作家来说,斯氏的舞剧展现了作家对身体、意识和艺术的体验,蕴含着巨大的象征意义。When Igor Stravinsky’s ballet was performed in Paris, it was seen as a harbinger of an artistic revolution. During his creative career in Moscow, Bulgakov developed a keen interest in ballet, seeking to construct a new artistic language through this new aesthetic form. His novel The Master and Margarita has striking echoes of Stravinsky’s ballet in style, form and content. In the novel, Stravinsky’s ballet performs a dual function: it symbolises the collapse of human society in modern space, but also represents the possibility of reintegration through a return to ritual, myth and tradition. For the writer, Stravinsky’s ballet shows the writer’s experience of the body,consciousness and art, and contains great symbolism.

关 键 词：布尔加科夫 《大师与玛格丽特》 斯特拉文斯基 芭蕾舞 

分 类 号：I512.074[文学—其他各国文学] J733.4[艺术—舞蹈]