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作 者:张英 ZHANG Ying(School of Humanities,Jiangsu University of Technology,Changzhou 213001,China)
机构地区:[1]江苏理工学院人文社科学院,江苏常州213001
出 处:《唐都学刊》2022年第4期61-68,共8页Tangdu Journal
基 金:国家社会科学基金项目:“明代内阁与文学”(16BZW080)阶段性成果;江苏省高校优秀中青年教师和校长境外研修计划资助。
摘 要:明中叶随着内阁权侵六部,而内阁之权又集中于首辅,内阁斗争呈现出愈加激烈的态势,而皇帝的态度在这种斗争中起到了至关重要的作用。在此环境中,阁臣在“媚上”与“谏上”之间,在“权势富贵”与“士人风骨”之间辗转腾挪,耗尽心力。而内阁斗争中的失意者则在很大程度上从这种扭曲状态之中解脱出来,给诗歌“应制”“酬和”之工具性虚与委蛇的沉闷带来了清新的空气,其中有对山林的喜爱,有对故乡的眷恋,有对内心中的痛苦敏锐的感受和审思,有对生命本体意义的思考和追问。他们从台阁走向山林,又从山林遥望台阁;他们收敛起写诗“为人”的虚荣与疲惫,开启了写诗“为己”、表达自我、慰藉心灵的新篇。In the middle of the Ming Dynasty,with the power of the cabinet involving in six ministries and the power of the cabinet centralizing on the prime minister,the cabinet struggle became more and more intensified,and the emperor’s attitude played a vital role in this struggle.Under this situation,the cabinet ministers shifted between“flattering the emperor”and“remonstrating the emperor”and between“power and wealth”and“the literary spirit of scholars”,and thus exhausted themselves.The losers in the cabinet struggle,to a large extent,are freed from this distorted state,which brought fresh air to the dull instrumental nihilism of under-ordered poetry and response poetry,including the appreciation of mountains and forests,the attachment to hometown,the keen feeling and reflection of pain in the inner heart,and the thinking and questioning of the ontological meaning of life.They moved out from the imperial court to the mountains and looked back at the imperial court from the mountains.They overcame the vanity and fatigue of“writing poems for others”and opened a new chapter of“writing poems for myself”to express themselves and comfort their souls.
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