论孙频历史书写的叙事调整——以《以鸟兽之名》等为考察中心  

On the Narrative Adjustment of Sun Pin’s Historical Writing--Centering on His Recent Work In the Name of Birds and Beasts

作　　者：杨有楠 YANG You-nan(School of Literature,Liaocheng University,Liaocheng 252059,China;Post Doctoral Research Workstation of Shandong Radio and Television Administration,Jinan 250000,China)

机构地区：[1]聊城大学文学院,山东聊城252059 [2]山东省广播电视局博士后科研工作站,山东济南250000

出　　处：《聊城大学学报（社会科学版）》2022年第5期23-30,共8页Journal of Liaocheng University:Social Science Edition

基　　金：山东省社会科学规划青年学者重点培养计划专项(19CQXJ52):新世纪以来小说创作中的返魅叙事研究;聊城大学博士科研启动基金项目(321051732):神秘主义与新世纪小说。

摘　　要：孙频是个不断寻求创作变法的作家。以《我看过草叶葳蕤》《松林夜宴图》等为界石,孙频有意识地走出了自我内心的封闭空间,以人物命运与时代的共振展现历史对人的型塑乃至围困,相比于早期的《疼》《盐》《裂》,此一阶段的小说呈现出更为宏阔的气象。而在近期发表的《以鸟兽之名》《骑白马者》等中篇小说中,孙频再一次调整了其介入历史的姿势,历史叩访主体逐渐清晰地凸显为个体之"我",而"我"向空间化历史的叩访更呈现出反思历史和探究现实出路的双重意义。与此同时,在普遍滞重的当下历史书写中,孙频实践着走向轻盈的可能。Sun Pin is a writer who constantly pursues innovation.Starting with"I've seen the grass luxuriant"and"Banquet in the Pine Forest",Sun Pin no longer describes individuals alone,but individuals in the historical background,in order to show the impact of The Times on people.Compared with the earlier novels,the creation of novels in this period is more open.In recent novellas such as"In the N ame of Birds and Beasts"and"The Rider of a White Horse",Sun Pin's history writing has changed again.She uses"I"as the first person narrator,and the process of"I"reflecting on history is also the process of getting rid of the predicament in reality.At the same time,Sun Pin's novel is written more lightly.

关 键 词：孙频 《以鸟兽之名》 历史书写 叙事调整 

分 类 号：I206.7[文学—中国文学]