巴东纤夫号子的文化解读  

A Musical Exploration of the Trackers'Work Songs in Badong

作　　者：王菊 WANG Ju

机构地区：[1]中南民族大学音乐舞蹈学院,湖北武汉430074

出　　处：《中南民族大学学报（人文社会科学版）》2022年第8期72-77,184,共7页Journal of South-Central Minzu University (Humanities and Social Sciences)

基　　金：中央高校基本科研业务费专项资金重点项目“鄂西土家族音乐文化遗产‘巴东船工号子’的保护与传承研究”(CSZ20004)。

摘　　要：巴东纤夫号子是长江水系音乐极其重要的组成部分,具有厚重的历史价值与人文价值,是一种特殊的音乐表达形式。巴东纤夫号子从性质上讲兼有艺术与非艺术的典型特征,既是一种侧面体现巴东人劳动活动场景的号子,又是一种以喊和唱展开主要结构的表演艺术。其在音乐结构上表现出律动性的音乐性特质,展现出坚毅果敢的纤夫精神,是巴东人民通过劳动与自然相结合的艺术结晶,体现了劳动性、象征性与艺术性的统一。Badong trackers'work songs are an extremely important part of the music along the Yangtze River.It has profound historical value and humanistic value,and is a special form of musical expression.Badong trackers'work songs have typical characteristics of both art and non-art in nature.It is not only work songs that embody the labor activities of Badong people,but also a performance art with the main structure of shouting and singing.It shows the rhythmic musical characteristics in the structure,and shows the spirit of persistance and determination of the trackers.It is the artistic crystallization in combination of labor and nature by the people of Badong,which embodies the unity of labor,symbolicity and artistry.

关 键 词：巴东纤夫号子 音乐性 劳动性 象征性 艺术性 

分 类 号：C95[社会学—民族学]