物情与道境:《诗经》阐释中的植物审美  

Plants Feelings and State of Tao:Aesthetics of Plants in the Interpretation of Book of Songs

作　　者：丁利荣[1] 张筱星 DING Li-rong;ZHANG Xiao-xing

机构地区：[1]湖北大学文学院,湖北武汉430062

出　　处：《中南民族大学学报（人文社会科学版）》2022年第8期154-162,187,188,共11页Journal of South-Central Minzu University (Humanities and Social Sciences)

基　　金：国家社会科学基金项目“宋代植物美学思想研究”(19BZX131)。

摘　　要：《诗经》及其历代《诗经》阐释学中蕴含着丰富的植物审美思想,这一思想可以溯源到以《诗经》为开端的古代草木之学。诗经草木之学涉及到物、情、道三个方面的内容。比兴在《诗经》中不仅是一种单纯的修辞手段,更是人与自然交流的重要方式,其独特的双主体性对话模式打开《诗经》中“物”“情”结合的开放式空间,这也为《诗经》植物审美的多维阐释提供了可能。在物我不断深入的对话中,《诗经》阐释中的植物审美最终走向“道境”,指向存在的本真,从而达于一种“有余”之境。对《诗经》草木之学的溯源及其研究,有助于理解古代植物审美的情思哲蕴,对重建人与自然的深层连接,重构当代中国植物审美的思想体系有重要价值。Book of Songs and its hermeneutic interpretation through the ages are rich in botanical aesthetic ideas,which can be traced back to the ancient doctrine of plants that began with this book.The doctrine of plants involves three aspects:plants,feelings,Tao.“Bi Xing”is not only a simple rhetorical device,but also an important way of communication between man and nature,and its unique dual-subjectivity dialogue mode opens up the world of“plants”and“feelings”in the Book of Songs,which also offers the possibility of a multi-dimensional interpretation of the aesthetics of plants in the Book of Songs.In the process of deeper interpretation,the aesthetics of plants ultimately point to the nature of existence.The study and tracing of the doctrine of plants in the Book of Songs helps to understand the emotional and philosophical implications of ancient botanical aesthetics,and is of great value in reconstructing the deep connection between human-being and nature,as well as reconstructing the ideological system of botanical aesthetics in contemporary China.

关 键 词：《诗经》 植物审美 物情 道境 

分 类 号：I207.222[文学—中国文学]